Kathleen Dunphy
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Plein Errors: The Top Ten Reasons Plein Air Paintings Fail


Next year will mark my 15th year of plein air painting. Through this decade and a half, I've probably made every mistake in the book and come up with a few news ones while I was at it. I've also been teaching workshops for ten years, which has forced me to analyze my process in order to convey my method and thoughts to my students.  Over the years, I've found that just about all artists - beginners and professionals and myself included- make so many of the same mistakes. In our rush to grab the scene before the light changes, we often overlook some of the basic tenets of good painting. A few years ago, I consolidated these observations into a list to remind myself and my students of the traps we can all fall into while painting:

Plein Errors: The Top Ten Mistakes Artists Make While Painting On Location:

#10: Forgetting to squint to eliminate detail and see values more clearly

#9: Getting bogged down in detail instead of massing in the basic shapes

#8: Painting over an incorrect passage and making mud instead of scraping

       down/wiping off that section to start over

#7: Painting too large a canvas for the amount of time available before the light changes

#6: Not mixing up enough paint and skimping on paint application

#5: Giving up too early

#4: Wiping off the entire painting in the field (your painting might just be better than you think it is...)

#3: Focusing on one area too long instead of seeing the entire design

#2: Using small brushes at the start

And the Number One reason why paintings fail………………

#1: Not having a clear plan before you start! 

 

Even if the painting didn't work, a day outside at the easel can't be all that bad.

 

Topics: quick studies | self improvement | self-critique 

Comments

30 Responses to Plein Errors: The Top Ten Reasons Plein Air Paintings Fail

At 71 having painted on location enthusiastically since my twenties, I wholeheartedly agree! wish you were closer, because, as a fellow animal lover, I greatly admire your work, and words. And would love to meet and study with you.
I have just painted in Sedona for the first time, and was blown away with the color change from my western NC green landscape. We have too much rain...but that keeps the waterfalls flowing and splashing with "rooster tails " Smiles!Sarah

Hi Kathleen, I have loved your work since the first time I have seen your beautiful paintings. This new blog post is a real good one on the 10 mistakes. I write the newsletter for the Alamo Danville Artists Society and would like to post this list in our next newsletter. Maybe we get a little rain but the weather is so beautiful this time of year and many of our painters are out and about. We have a guest artist each month and I have passed on your information on to our program director to see if you may like to be a guest at one of our meetings in 2015. Also love your painting "The Floatilla". I have a photo that I took at Lake Almanor years ago of just that group of white pelicans. You are an inspiration to me! Thanks, Megan

Excellent Blog! Saved it in my Bookmarks, so I can read them over again. Love your work!

Yes, thanks for consolidating this list; I am looking forward to reading more from you on this topic!

Thank you Kathleen for a great post. It is both encouraging, and a good reminder. Sometimes I think I need to tattoo a few reminders on my arm before I head out to paint! :) I love the bottom picture with you sweet dog. A day outside with your easel is always a good one indeed no matter what the outcome. Cheers!

Thank you Kathleen for this post. All ten of your most-common mistakes are embarrassingly familiar to me! I am in complete agreement with your selection of "failure to plan" as the number one problem. That old adage of "well-begun is half-done" is so very true. A good friend and life-long pleinairista, Ian Roberts, has written extensively on this issue. In his book "Mastering Composition" he talks about slowing down and taking time before picking up the brushes. Ian contends that paintings succeed or fail depending on their design -- the arrangement of major abstract value masses, and that paintings that fail, do so in the first few minutes because the artist did not consciously have that design plan in mind before beginning to paint. Did someone say thumbnail? Anyway, thanks again, and looking forward to working with you in May. best regards
Jamie

Your words are only out done by your work. The new nasty "10" should indeed be a stamp to place on the back of each panel we use. Thank you again for your wise council.

You are right on and great that you share this list with us. You are such a great painter!

Thank you... thank you... thank you!

I am turning 70 ...and do a lot of watercolor..sply Portraits.
Never done Plein Air .....but very keen. Your points about outdoor painting are useful. Gearing up ...will start soon.
Thanks Kathy.

Thanks for the comments, everyone! By the way, the only reason I know the Top Ten Mistakes is because I've done them all...several times!

Megan, you are welcome to use the post in your next newsletter, just please be sure to include a link to my web site.

You are a very good writer. I just read through most of your blog posts about plein air painting. I especially enjoyed the one about dog care and also painting outdoors in the winter. Your paintings are beautiful too! I'll be looking forward to more of both the articles and the artwork!

Funny when I first read the title, I thought it said "Top ten reasons why plein air paintings FALL" instead of "fail", I thought, well wind of course, LOL.
I've got an Open Box M (I think you do too?),and despite weighing down the tripod, it's blown over a few times, creating grass marks on the paintings, etc.
I'm enjoying your blog. I found it when looking up info on enlarging plein air studies.

I have tried plain air on my own and in one workshop. I find hauling all the 'stuff' out and about is a real drag. Further, I need more time to plan what I actually want to do. By then the light has changed leaving me frustrated. Consequently, I have by default learned to really like studio painting. Any comments other than 'get outside more often?' By the way, I'm 82, and i am a dogged beginner of about 5 years painting. Too little, too late? Also, I was a fairly good photographer in the West Coast school of style.

Thanks for the blog on " reasons plein air paintings fail." I work a full time job, approx 55 hours a week, so I only get to paint about 15 hours a week. I'm a realist painter, and with so little time to paint, I have yet to delve into the world and looseness of plein air. However, I love your work. Its bold, fresh and beautiful. I'll apply these tips in the studio as well and someday in the field. Thanks again Kathleen!

Your "Plein Errors" is right on and I will always
post it in my studio and on my plein easel. Love seeing your paintings and reading your sound advice.

I love all your paintings and thanks for the tips on plein air. I live in Jackson WYOMING, in the Tetons that you have painted so beautifully. Your coastal shore lands, oceans, boats, inland lakes, streams, rivers, marshlands, forests and animal scenes are breathtaking. You have such a beautiful eye for structure, interpretation and application. It transports me to old memories or hope to see new ones.

Great tips!!!! Thank you for listing them! I will keep them posted in my studio!!!
keiperfineart.com

i thought of your comment today while painting. Scrape mistake before painting new passage Thank you!!! Great list

Thanks for the comments, everyone! Even though I wrote this list, I still need to refer back to it to keep myself from making the same mistakes over and over again!

Kathleen, that's because it is such good advice! It's like doing warm ups before a hike or race. Everyone can benefit!

This is great Kathleen! I'm gonna keep this in my back pocket from now on!

It's like you've been standing right beside me. Every single one you listed are all mine. And I thought it was just me. Thanks so much.

Thank you for these excellent tips. It's difficult enough at times under outdoor conditions.

I am interested in taking a painting class. I live in Lodi! I know Kathy wadsworth, I'm a sister on the fly.

Good to read something I can proudly say I have completed - guilty of all ten. All the better for it too, learning through mistakes, then identifying them, is critical to growth, at least for me - thank you for the reminders.

Very interesting comments. Don't we all learn from our mistakes. Have been a plein air artist for about 25 years.. I enjoy, as it is very challenging. A race against time, since you would want to catch the actual light. A great feeling that, not even the best photography would capture what you would like to transmit to people, when viewing your finished works..

Love your lab. New to painting. Sounds about right. I trust animal lovers. Enough said.

Your words brought a smile to my face. A Plein Aire Painting is many things to many people but to the Artist I hope its a beautiful memory

Giving up too early is my biggest challenge. Very nice top 10 to consider. Cool location for painting on that last picture.


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